“Women’s Voices: An Oral History of Israeli & Palestinian Women” is a collection of monologues based on interviews I conducted with women from Israel and the Palestinian Territories, between January and August 2011.
I based my Master's thesis on several of the oral history interviews. A version of the paper was published in a special edition of Northern Ireland Legal Quarterly in 2013. [download here]
Featured in Ballast Magazine [en français]
Palestine-Israël : voix de femmes (1), the story of Rola Hamed O'Neill.
Palestine-Israël : voix de femmes (2), the story of Tammy Katsabian
Palestine-Israël : voix de femmes (3), the story of Huda Abu Obaid
Palestine-Israël : voix de femmes (4), the story of Dana Golan
I based my Master's thesis on several of the oral history interviews. A version of the paper was published in a special edition of Northern Ireland Legal Quarterly in 2013. [download here]
Featured in Ballast Magazine [en français]
Palestine-Israël : voix de femmes (1), the story of Rola Hamed O'Neill.
Palestine-Israël : voix de femmes (2), the story of Tammy Katsabian
Palestine-Israël : voix de femmes (3), the story of Huda Abu Obaid
Palestine-Israël : voix de femmes (4), the story of Dana Golan
Featured in CAPC musée d'art contemporain de Bordeaux
Procession: A Story within the Exhibition
March - July 2014
"Julie Maroh, author of the highly acclaimed comic strip Blue is a Warm Colour, is seizing the CAPC with the illustrator Maya Mihindou, and presenting a new opus: the exhibition Procession.
Procession is a visual narrative occupying 11,000 square feet, which plunges visitors into a story of conflict and cohabitation, based as much on a unprecedented presentation of works from the CAPC collection as on drawings connecting them (stencils, tags, mini frescoes, graffiti, enlarged drawings, etc.). The exhibition takes artworks hostage whilst becoming a gigantic comic strip illustration. It weaves the web of a social and political story whose characters—emotion-characters—question our perception of the Other, as well as the museum’s capacity to invite visitors to follow a story put together from scratch."
All illustrations by Maya Mihindou and Julie Maroh